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Yoshikazu Ikeda White 1 Honyaki Kachikaeshi Gyuto 210mm
$2,680.00 USD
Unit price / perShare
Knife Specifications
We strive to provide accurate measurements and photographs of our products. However, due to the handmade nature of many items slight variations may occur.
Style
Honyaki Gyuto
Blade Material
White 1 Honyaki, Etched, Pronounced Banding, Mt Fuji & Full Moon
Handle Material
Octagon Quince & Blonde
Bevel
Double Bevel
Maintenance Level
High
Edge Length
210mm
Overall Length
350mm
Spine Thickness
3.5mm/3.5mm
Blade Height
50mm
Weight
177g
HRC
~63
An In depth look
Blade Type
The Gyuto is the do-it-all, general purpose chef's knife. If you are looking for an all-rounder that can handle daily veg and protein prep and portioning, this is the one! A 210mm edge length is the most common, but try a 240mm if you prefer larger knives.
Steel Type
Japanese White Steel #1, the purest form in the "Shirogami" (White Paper Steel) series, is highly regarded for its exceptional sharpness and ease of sharpening. With a slightly higher carbon content than White Steel #2, it delivers superior edge retention, but like White 2 cannot be left wet for even short periods of time, otherwise rust spots can occur. If you’re fastidious in your knife maintenance, this knife steel can be extremely rewarding to use.
Care Information
This knife is made from a high-carbon steel and as such, will require a little more care than a regular off-the-shelf knife. It must be dried shortly after use, as prolonged exposure to moisture can cause rust spots to appear. A very light coat of oil during storage also helps to prevent rust spots. A patina (colouration and seasoning of the steel) will occur with use.
Introducing
Yoshikazu Ikeda
Yoshikazu Ikeda (池田 美和) began his career as a knife smith in 1967, training under his father Kameo Ikeda (池田 亀夫), who was the second-generation blacksmith of Yoshikazu Tanrenjo. His older brother Tatsuo Ikeda (池田 辰男) eventually inherited the family workshop as the third-generation blacksmith, while Yoshikazu went on to establish his own forge, Ikeda Tanrenjo (池田鍛錬所), in 1983. He has remarked, half in jest, that because his hands were stubborn and unrefined, repetition never bored him. That mindset led him to devote decades to refining his forging and crafting techniques, and he has earned numerous accolades throughout Japan along the way.
I have been searching for a blade i could truly connect with for a long time. When I first encountered this one, I felt a quiet pull towards it. Something more than just appearance that I did not yet fully understand. In using it, this feeling has only deepened. This blade carries a subtlety that reveals itself slowly. The reflective surface holds more than just clarity, but within it I have found softer tones that emerge with time and attention. It asks for care, and in return, it offers something that cannot be seen all at once.
Very early on, I marked the blade through my own inexperience. At first this was frustrating, but I have come to understand it differently. It reminded me that I am still learning, and that a blade like this requires a greater level of awareness than I currently possess. In this way, it has taught me this much.
There is a quiet, almost a restrained beauty in the steel. The more muted tones do not call for attention, yet they linger. It encourages me to slow down, be more deliberate, and to listen more closely to the work in front of me.
I am grateful to the maker for creating something with this level of depth. I hope that over time, I may grow in skill and understanding so that I can better care for and honor this blade. Thank you.
